Gospel music is very expressive to match the enthusiasm of the preacher and the congregation. And because they are not harmonically important, they can be almost any chord you like. A diatonic passing chord may be inserted into a pre-existing progression that moves by a major or minor third in order to create more movement." The chords from Jazz, Black Gospel, and Contemporary that you always hear, but are never shared until now! They are chords you pass through quickly on your way from one chord to the next in the chord progression. …to chord 5 (the G major triad): Listen to as much gospel as you can. You are on the right page and this lesson is dedicated to show you some important 2-5-1 chord progressions that every serious gospel pianist should have at his/her fingertips. I would explain this movement further in this post. Passing chords are chords that you ‘pass’ through to get from one chord to another - the F#6 works because its notes are nearly all one semitone away from those of the target chord (Fm9). Click Here For A Complete Black Gospel Piano Chords Guide! The 7-3-6 chord progression [just like the 3-6-2 chord progression] can be classified as a minor 2-5-1 chord progression and that’s because the final chord in the chord progression is a minor chord. In music, a passing chord is a chord that connects, or passes between, the notes of two diatonic chords. " In the key of C, you’d play Dm7-G7-C. …a 3-6-2 chord progression entails a root movement from G: I would recommend to take this chord into your chord library and practice it both separately and in relationships with other chords in progression. For this example, I’ll use the key of C. Your first chord is the tonic 7th (C7). Out of Stock. - November 28, 2018; Passing Chords: Altered Chords And Dominant Seventh [b9] Chords - November 21, 2018; Chord Analysis: The Minor Major Seventh Chord - November 14, 2018 Content please I beg you if possible you may even keep showing me too much lessons because I am beginner if also possible you may give me some on my email. The bass is C. Your second chord is the subdominant 7th (F7). Substitution and Passing Chords: The secrets to those beautiful chord changes now exposed. Gregory Moody $64.50. Put a Db dim 7 (or C# dim7) prior to D minor 7: An Eb dim 7 prior to E minor 7. So, it’s important that you need to know how to read piano keys, notes and the basics of chords first. …entails a root movement from Bb: The three chord progression of C, F and G will come in handy when beginning to play spiritual music. This style of music really gets people in the mood to move, shout, and express themselves with great conviction. The 2-5-1 chord progression is basically a chord movement from chord 2 to chord 5, then to chord 1 in any given key. - The Harmony System Handbook of Harmony - A step-by-step guide on how to create harmony - Mastering Chord Suspensions - How to create cycles of beautiful passing chords - Black Gospel Voicing Reference - The meat - The Chords "The #1 Tool Serious Gospel Musicians (Like YOU) Are Using To Learn All The Latest Songs, The Hottest Chords, & The Theory Behind What They're Playing" This is the resource that will save you years of trial and error, hundreds of dollars in time and lessons, and embarrassment (when you fail to play gospel songs the way they should be played). If you want to learn new chords and find new ways to approach progressions and transitions, then diving into gospel music will take you where you want to go! Well, for example, the chord change Dm – G is a fifth progression down. 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